By Eric S. Caruncho

Someone should build a shrine.
Or put up a plaque.
Or something.
People ought to know the exact spot where, a third of a century ago, the Juan dela Cruz Band invented Pinoy rock.

 

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"I wrote it in the toilet," recalls Joey "Pepe" Smith. "Twenty minutes before going onstage. I was on acid at the time - Pink Elephants."
"It" is, of course, "Himig Natin," the unofficial anthem and harbinger of an entire genre of popular music that would only much later become known as "Pinoy rock."
On December 5, 1972, rock impresario Dodie Gonzalez put up a concert at the Rizal Park Observatory. Headlining was the Juan dela Cruz Band, which had been whittled down from a five-piece to a lean-and-mean power trio, in the manner of Cream and the Jimi Hendrix Experience - not to mention Blue Cheer - with Dodie's brother Wally on lead guitar, Joey Smith on drums and Mike Hanopol on bass. Presciently, the concert was billed "Himig Natin."

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  • Handle Bar,
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  • Polaris St., Makati
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